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Gagosian Suit Offers Rare Look at Art Dealing

November 19, 2012, by Law Offices of Aaron Resnick P.A.

A lawsuit claiming that the gallery owner Larry Gagosian defrauded a prominent collector is pulling back the curtain, if ever so slightly, on the way high-end deals are sometimes made in the contemporary art world. The collector, Jan Cowles, 93, sued in January, accusing Mr. Gagosian of selling a 1964 Roy Lichtenstein painting, "Girl in Mirror," from her collection without her consent.

The following is taken from a recent article in the New York Times. It is copied for your convenience. http://artsbeat.blogs.nytimes.com/2012/11/07/gagosian-suit-offers-rare-look-at-art-dealing/?goback=.gde_2054749_member_185417266

"In court papers the Gagosian Gallery has said that Mrs. Cowles's son, Charles Cowles, who was in financial straits, maintained that the painting was his to sell, not his mother's. Another version of the painting sold at Sotheby's in 2007 for just over $4 million. But Mrs. Cowles's painting, which Mr. Gagosian took on consignment, was eventually sold for only $2 million after assertions by the gallery -- disputed by Mrs. Cowles -- that it was damaged. Mr. Gagosian made an unusually high commission, $1 million.

A central question in the case has been whether Mr. Gagosian in essence worked both ends of the deal -- not disclosing to Mr. Cowles that his gallery had a relationship with the buyer and that it was trying to get a favorable price for that buyer. In a deposition made public on Wednesday, Mr. Gagosian said that he frequently represented both the seller and buyer in a deal without disclosing that fact to either party. "To be honest with you, the question hardly ever gets asked," he said. "I never get asked the question, 'Are you representing both sides.'"

When asked whether, in a consignment agreement, Mr. Gagosian felt "any duty of loyalty whatsoever to the seller," he replied: "I just don't think about it in terms of -- in those terms. I think about, 'It's a financial transaction, and the seller wants to get paid.' My objective is to pay the seller and to make a profit for the gallery." Mrs. Cowles's lawyer, David Baum, claims that such representation of both parties without disclosure is "blatantly unlawful under New York agency law." On Wednesday the gallery called the claims baseless and said its "practices are fully consistent with both the law and the standards in the art world." A lawsuit claiming that the gallery owner Larry Gagosian defrauded a prominent collector is pulling back the curtain, if ever so slightly, on the way high-end deals are sometimes made in the contemporary art world. The collector, Jan Cowles, 93, sued in January, accusing Mr. Gagosian of selling a 1964 Roy Lichtenstein painting, "Girl in Mirror," from her collection without her consent.
Larry Gagosian.Casey Kelbaugh for The New York Times Larry Gagosian.

In court papers the Gagosian Gallery has said that Mrs. Cowles's son, Charles Cowles, who was in financial straits, maintained that the painting was his to sell, not his mother's. Another version of the painting sold at Sotheby's in 2007 for just over $4 million. But Mrs. Cowles's painting, which Mr. Gagosian took on consignment, was eventually sold for only $2 million after assertions by the gallery -- disputed by Mrs. Cowles -- that it was damaged. Mr. Gagosian made an unusually high commission, $1 million.

A central question in the case has been whether Mr. Gagosian in essence worked both ends of the deal -- not disclosing to Mr. Cowles that his gallery had a relationship with the buyer and that it was trying to get a favorable price for that buyer. In a deposition made public on Wednesday, Mr. Gagosian said that he frequently represented both the seller and buyer in a deal without disclosing that fact to either party. "To be honest with you, the question hardly ever gets asked," he said. "I never get asked the question, 'Are you representing both sides.'"

When asked whether, in a consignment agreement, Mr. Gagosian felt "any duty of loyalty whatsoever to the seller," he replied: "I just don't think about it in terms of -- in those terms. I think about, 'It's a financial transaction, and the seller wants to get paid.' My objective is to pay the seller and to make a profit for the gallery." Mrs. Cowles's lawyer, David Baum, claims that such representation of both parties without disclosure is "blatantly unlawful under New York agency law." On Wednesday the gallery called the claims baseless and said its "practices are fully consistent with both the law and the standards in the art world." "

The Law Offices of Aaron Resnick is one of the few South Florida firms with an Art Law division.

Aaron Resnick Hosts Beats After Sunset @ the Bass Museum with the Launch of TC - Temporary Contemporary - An Ongoing Public Art Project

Aaron Resnick, Esq. is one of the hosts for this Friday night's (November 2, 2012) Beats After Sunset @ the Bass. Attendees will enjoy the following exhibitions on view:

* the Launch of tc: temporary contemporary

*UNNATURAL

*Egyptian Gallery


There will be beats by djs: catorce leches, gnarley calamarley, hundreds & los manos aqui, courtesy cocktails (21+) | mixologist and a beats after party at chalk ping pong & billards lounge: beats guests get one free drink at chalk and free ping pong from 11pm - 12am!

The Bass Museum of Art is a renown art museum in Miami Beach, Florida featuring a collection of Antiquities, Renaissance, and Baroque art and also provides educational programs and teacher resources that aim to inspire a new generation of creative artists. Aaron Resnick is a member of the Silver Director's Circle and has sat on the executive committee for the Art Crowd. Currently, he also is on the host committee for the monthly Beats After Sunset @ the Bass.

The Law Offices of Aaron Resnick is one of the few South Florida firms with an Art Law division.

For more information, please contact:

melissa brown
public relations and marketing manager
bass museum of art
2100 collins avenue
miami beach, fl 33139
t 3056737530 x 1010
c 540.588.7238
mbrown@bassmuseum.org
www.bassmuseum.org

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Aaron Resnick Hosts Beats After Sunset @ the Bass Museum | in collaboration with petnet

This Friday, October 5, 2012, the Bass Museum of Art in partnership with the Humane Society of Greater Miami's Young Professionals group, PetNet, hosts in monthly Bass After Sunset. Attendees will enjoy the following exhibitions on view:

*UNNATURAL

*John Cage: Variations VII, 1966

*Bass Museum of Art | Selections from the Collection in conversation with works by janine antoni, michele oka doner, rimma gerlovina & valeriy gerlovin, ana mendieta, anne olofsson, manny prieres and peter voulkos

*Egyptian Gallery

There will be beats by dj josef, courtesy cocktails provided by GREY GOOSE vodka (21+) | mixologist and a beats after party at chalk ping pong & billards lounge: beats guests get one free drink at chalk and free ping pong from 11pm - 12am!

The Bass Museum of Art is a renown art museum in Miami Beach, Florida featuring a collection of Antiquities, Renaissance, and Baroque art and also provides educational programs and teacher resources that aim to inspire a new generation of creative artists. Aaron Resnick is a member of the Silver Director's Circle and has sat on the executive committee for the Art Crowd. Currently, he also is on the host committee for the monthly Beats After Sunset @ the Bass.

The Law Offices of Aaron Resnick is one of the few South Florida firms with an Art Law division.

"Sandra Gamarra: At the Same Time" through October 16 at the Bass Museum of Art 2100 Collins Avenue, Miami Beach Call 305-673-7530 or visit bassmuseum.org.
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